Friday 25 March 2016

Clave (Part 1) – Introduction to Clave



Claves are concussion idiophones which are pivotal to Cuban music. They are mainly used to produce a guide-pattern known as clave throughout a given song. The clave rhythm has been incorporated into western pieces such as the song “Desire” by U2 or “Mona” by the Rolling Stones but they are predominantly used in African and Latin-American music.

The instruments are two sticks which tend to be between 20cm and 30cm long and were traditionally made of hardwood such as rosewood, granadilla, mahogany, teak or ebony. In modern times they are also made of fibreglass, metal or plastics. These sticks are hit together to produce a distinct sharp sound by holding them in such a way that the wood is allowed to resonate. The technique of holding claves can optimise the sound they produce and usually involves holding the claves with the fingertips and making a hollow with the hand holding the bottom clave stick to enhance its resonance. When playing this instrument, the resting clave at the bottom is called la hembra ("the female") and the one which is striking is called el macho ("the male") while the person playing the clave is sometimes referred to as clavero.
Claves can be of equal size or asymmetrical with one of them being larger and hollow containing a cut-away sound chamber. The hollow claves are sometimes marketed as “African Claves” although this is a neologism that has no historical base as all types of claves are believed to have originated in Africa.




The clave pattern is thought to have originated in the music traditions of sub-Saharan societies and the word “clave” can be translated as “key” from Spanish to represent a key pattern that holds the rhythm together throughout a song. According to Fernando Ortiz the name originally derived from “clavija,” meaning wooden peg which reflects the instruments used to play the pattern. This being said it is to date impossible to determine the exact origin of clave historically as well as geographically, and some scholars have suggested that the rhythm itself is one of the oldest rhythms in existence and that it may have originated not only in one place but rather as a result of polygenesis i.e. independent discoveries of this rhythm in different places at different times. While some of the earliest records point to an origin in Africa, clave became an intrinsic part of Cuban music with the arrival of the 700,000 African slaves deported to Cuba during the 1770s.